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Counter-raked, forced perspective bed from modified aluminum original frame with custom mattress box. Made to fit trap platform with 1” clearance.

2021 . The Santa Fe Opera . “Tristan und Isolde”
Poplar planed to 5/8” with mitered corners box to house hand-blown glass vials. Surfaces were routed, with rabbet and dado joints for lid and base.

2021 . The Santa Fe Opera . “A Midsummer Night’s Dream”
Custom box steel frame from 3” steel sat on a counter-raked stand. Hand cut and threaded pivot points from 3” solid stock cold steel. 6’ x 6’ x 6’

2021 . The Santa Fe Opera . “A Midsummer Night’s Dream”
Welded frame with 4 pivot points for rotation. Custom steel pivot blocks were tapped and threaded.

2021 . The Santa Fe Opera . “A Midsummer Night’s Dream”
Custom box steel from flat, sheer-cut steel. Three nesting rings in total. 24” x "24” x 24”

2022 . North Carolina Museum of Art . “and you did not even know enough to be sorry” by Elizabeth Alexander
Support brackets welded from 1/4” steel rod. 22” x 18”

2019 . Turchin Center for the Visual Arts . "The Great Enemy of Truth" by Elizabeth Alexander
Constructed wooden support frame with openings for performers and patrons, as a free-standing curved wall. 32’ x 16’

2016 . SECCA . "Crumbs Under My Pillow" by Elizabeth Alexander
Modified wingback chair and 12’ table as support furniture for artwork.
2015 . Triad Stage . "Death Trap"
Turned tapered poplar legs, chamfer edge banding added to the desk top, and reused original desk drawers and hardware. 30" x 30" x 60"
2015 . Triad Stage . "Death Trap"
Modified buffet was cut down 7" from original height. Two drawers were removed and replaced with open shelving.
2013 . The Santa Fe Opera . Properties Carpenter Journeyman
Replaced handles with turned Cherry wood and reinforced new plywood corners with steel brackets.
2013 . The Santa Fe Opera . "The Grand Duchess of Gerolstein"
Welded eight identical bed frames with hand-bent steel and threaded leg attachments for caster-posts. Finished with built wooden platform bases for mattresses.

2013 . The Santa Fe Opera . "The Grand Duchess of Gerolstein"
Completed metal framing. Two bed frames had additional welded loose-pin locks for connection during the production.

2013 . The Santa Fe Opera . "La Donna Del Lago"
Welded four identical torch frames that were later propane powered and lit for production.

2013 . The Santa Fe Opera . "La Donna Del Lago"
To create a lighter frame, thin steel banding was welded in for detail.
2013 . The Santa Fe Opera . "La Donna Del Lago"
Laminated wood bases. Hand cut and dished steel plates were then riveted onto bases for foley sound during production.

2013 . The Santa Fe Opera . "Oscar"
Frame was welded to leave open space for the artist to propel and steer himself during the production. Hinged door was used for artist accessibility.
2013 . The Santa Fe Opera . "Oscar"
Recessed framing for the side panels provided light-weight detail to overall design of the box.

2013 . UNCSA . "La Rondine"
Legs were turned out of 7-inch poplar laminate, and mortised into a counter-raked block that attached to the baby grand piano.
2013 . UNCSA . "La Rondine"
Frame was build on an temporary rake, and shelf was built level for hand prop storage for the production.